Portal fantasy has it’s own special corner of the genre landscape. The form is familiar, yet rich with possibility: a door to another world appears, a choice is made, a character comes back changed … if she comes back at all. For many readers, these stories are the entrance to the idea of fantasy itself. Children who began their reading lives with Narnia or Alice in Wonderland often spent some part of their childhoods afterward opening odd cupboards and doors, hoping to find magical worlds on the other side.
Seanan McGuire’s Wayward Children series offers a fresh, nuanced take on portal fantasy. The series begins with Every Heart a Doorway, an award-winning novella that imagines a school for all the curious children who found doors to their own, bespoke worlds. These wayward children came back from their magical worlds, and now are having trouble fitting in to the real world. Some of their doors may open again, while others will never be found a second time. Each book in the series stands alone; they may be consumed in any order, like a jewel box of truffle chocolates, each one enticing and unique.
McGuire’s newest Wayward Children book, In an Absent Dream, arrives January 8, 2019. It tells the tale of Katherine Lundy’s childhood. If you’ve read the first book, you know Katherine Lundy eventually becomes one of the teachers at the school. She finds her door when she is eight years old. It leads to the Goblin Market, but this is not so much a story about the adventures that Lundy finds (and there are many) as about the rules of that world and the rules of this one. It’s about choosing, and what it means to be fair.
In the poem Goblin Market by Christina Rossetti, Lizzie, the protagonist, finds a loophole in the rules of the sensuous goblin world. This loophole enables her to pull her sister back from the gates of death. In McGuire’s version of the Goblin Market, there are rules, too, and Lundy loves rules. The five rules are: (1) Ask for nothing; (2) Names have power; (3) Always give fair value; (4) Take what is offered and be grateful; (5) Remember the curfew. The Market itself is the arbiter of these rules, giving a wry weight to the term “market forces” when consequences become manifest.
Lundy wants a world that is fair, and she gets one. In the Goblin Market, bargains must be made and deals struck in good faith or the Market will tally a debt. Too many debts and the consequences can be permanent. Restorative justice is possible, and so is redemption by another when the debtor cannot pay, but both options are hard work. Also, in the manner of wishes, events never unfold according to the restorer or the redeemer’s plans. The dead stay dead; wounds heal, but they leave scars.
Everything is open to transaction in the Goblin Market, even relationships. When Lundy returns to the world of her birth, she longs for the automaticity of the Goblin Market’s fairness. She does her best to restore the balance with a girl she barely knows, offering her small consistent kindnesses when she sees wrong done to her. Lundy tells her she doesn’t want her to “think that no one cared about the debts.” This baffles the girl, who disappears soon after.
But Lundy’s compassion is flawed. As I mentioned, she loves rules. In the real world, she loves to learn them, to know them in detail, and to use them to her advantage. There’s always a good reason for her do to this, but hubris threatens.
McGuire’s book is subversive. The story initially presents itself as a sweet but serious tale about the trials and tribulations of growing up. Upon one of Lundy’s joyous returns to the Goblin Market, she is reunited with her dearest friend: “They held each other, both of them laughing and both of them weeping, and if this were a fairy tale, this is where we would leave them. Alas, that this is not a fairy tale.” McGuire’s book goes beyond the simple fairy-tale ending and into something deeper. The Goblin Market has existed for a hundred years or more. The consequences of debts incurred can and do travel across generations. There is a door to mark the border between the worlds, but people pass through, carrying their debts and burdens with them. There are promises made and promises broken to loves on either side. There are words that are truth in one moment and lies in another. Countless worlds may exist in parallel with the “real” one, but they do not exist in isolation from it. All worlds, and all hearts, are part of some greater whole. If you encounter a door, note well before you open it the admonition above the doorknob: “Be sure.”
Read Similar Stories
In this final novel of The Daevabad Trilogy, Ali, Nahri, and Dara are morally challenged beyond endurance by the rise of death magic in their beloved kingdom. How they respond changes everything.
Craig Laurance Gidney’s Marsh-bell Queen is half muse, half greedy ghost, and all fascinating.
Butterfly Lampshade is Aimee Bender’s first novel in a decade and the follow-up book to her incredible short story collection The Color Master (2013). A book about memory and isolation that we didn’t know we needed.
Karen Osborne’s debut is part sci-fi adventure, part love story, and 100% critical of unfettered corporate capitalism.
Every Bone a Prayer, the impressive debut novel by Ashley Blooms, is an expressionistic To Kill a Mockingbird of personal trauma.
The new novel from the author of Station Eleven is eerily relevant, and it’s not even about a pandemic this time.
A diverse collection of sci fi and fantasy stories and poems about Western and Eastern dragons and their relationships with families and humans, blood and gold.
Looking for your next read? Check out Malcom Devlin’s Engines Beneath Us available now from TTA Press.
Volume five of The Murderbot Diaries, reviewed.
You won’t want to miss this haunting debut collection. Thin Places by Kay Chronister available now from Undertow Publications.
Guest contributor M. Shaw reviews Roupenian’s studies in feminist horror.
Reading something dark and fantastic is great for enduring a pandemic.
What does it mean to have agency when we find ourselves at the mercy of events utterly beyond our control?
Flocks of red birds haunt a school where girls are shaped by the desires of others. Clare Beams examines the creeping horror of growing up female.
In Leigh Bardugo’s Ninth House the unlikely place of New Haven, Connecticut is one of the world’s centers of magical power.
A welcome entry into the non-Western fantasy field set in the ancient Mayan underworld, Xibalba, and the Mexican Jazz Age.
The Fiction Unbound editors discuss connections and similarities between The Good Place and Good Omens. Meta observations about storytelling and what makes us human ensue.
If you love Alice’s Adventures in Wonderland you won’t want to miss this anthology, a collection of seventeen original works that will make you reexamine your own relationship to Wonderland.
In Hugo Award-winner Alix E. Harrow’s debut novel, ordinary doors open to ordinary spaces and capital D Doors open to other worlds.
Carmen Maria Machado’s genre-bending memoir is a formally dazzling and emotionally acute testimony of an abusive queer relationship.
The world of Fountains Parish is a delightfully dark steampunk fantasy, where making friends takes on every shade of meaning. Homunculi, golem, AI, human—the difference between the spark of life that comes by way of magic and the one that comes from nature might not be as big as you think.
Nino Cipri’s short story collection, Homesick, explores the impact of the things that haunt us and how, most often, that thing is the true self we most wish to deny.
The difficult details about real traumas China suffered in the early 20th century make this widely-praised trilogy uniquely interesting. The unusual fantasy elements and atypical heroine’s journey are bonuses.
You won’t want to miss the latest from Priya Sharma. Ormeshadow is a quick read that packs an emotional punch.
Finalist for 2019 Hugo Award for Best Novel, Catherynne M. Valente’s Space Opera is well worth checking out. Fiction Unbound dives into this science fiction story about an intergalactic Eurovision contest that will determine the fate of humanity.
Sarah Pinsker’s debut novel sings the joys of connection and the discontent of sticking it to the Man.
Don’t miss this latest release from Undertow Publications: All The Things We Never See by Michael Kelly. It will have you itching to create, which will be a good use of the time you used to spend sleeping.
Cadwell Turnbull's new novel — the first in a trilogy — imagines the hard, uncertain work of a fantastical justice.